Bach Bibliography Search Result

Series : ^MTheorySpec$
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Grave, Floyd K.	Abbé Vogler and the Study of Fugue.	MTheorySpec	1		Spring 1979	43-66
	2.	Harrison, Daniel	Rhetoric and Fugue: An Analytical Application. [BWV 915]	MTheorySpec	12	1	Spring 1990	1-42
	3.	Renwick, William J.	Structural Patterns in Fugue Subjects and Fugal Expositions.	MTheorySpec	13	2	Autumn 1991	197-218
	4.	Burns, Lori	J. S. Bach's Mixolydian Chorale Harmonizations.	MTheorySpec	15	2	Autumn 1993	144-172
	5.	Brinkman, Alexander Russel	The melodic process in Johann Sebastian Bach's Orgelbüchlein.	MTheorySpec	2		Spring 1980	46-73
	6.	Willner, Channan	Stress and Counterstress: Accentual Conflict and Reconciliation in J. S. Bach's Instrumental Works.	MTheorySpec	20	2	Autumn 1998	280-304
	7.	Petty, Wayne C.	Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach.	MTheorySpec	21	2	Autumn 1999	151-173
	8.	Ferris, David	C. P. E. Bach and the Art of Strange Modulation.	MTheorySpec	22	1	Spring 2000	60-88
	9.	Wason, Robert W.	Two Bach Preludes/Two Chopin Etudes, or Toujours travailler Bach-ce sera votre meilleur moyen de progresser.	MTheorySpec	24	1	Spring 2002	103-120
	10.	Hanninen, Dora A.	A theory of recontextualization in music: Analyzing phenomenal transformations of repetition. [BWV 620]	MTheorySpec	25	1	Spring 2003	59-97
	11.	Derr, Ellwood	The two part Inventions: Bach's composers' vademecum.	MTheorySpec	3		Spring 1981	26-48
	12.	Beach, David W.	Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings.	MTheorySpec	30	1	Spring 2008	1-34
	13.	Harrison, Daniel	Heads and Tails: Subject Play in Bach's Fugues.	MTheorySpec	30	1	Spring 2008	152-163
	14.	Väisälä, Olli	Bach's Inventions: Figuration, Register, Structure, and the 'Clear Way to Develop Inventions Properly'.	MTheorySpec	31	1	Spring 2009	101-152
	15.	Neumeyer, David	Thematic Reading, Proto-backgrounds, and Registral Transformations.	MTheorySpec	31	2	Fall 2009	284-324
	16.	Franck, Peter	'A fallacious concept': Invertible counterpoint at the twelfth within the Ursatz.	MTheorySpec	32	2	Fall 2010	121-144
	17.	Robinson, Jenefer; Hatten, Robert S.	Emotions in Music.	MTheorySpec	34	2	Fall 2012	71-106
	18.	Dethorne, Jeffrey	Colorful plasticity and equalized transparency: Schoenberg's orchestrations of Bach and Brahms.	MTheorySpec	36	1	Spring 2014	121-145
	19.	Bungert, James	Bach and the patterns of transformation. [BWV 830]	MTheorySpec	37	1	Spring 2015	98-119
	20.	Haakenson, Matthew	Probing the Properties of the First Eight Notes of Bach's Goldberg Ground Further: Revelations for Replicating the Soggetto and Opening Four Canons of BWV 1087.	MTheorySpec	39	2	Fall 2017	247-260
	21.	Reef, John S.	Subjects and Phrase Boundaries in Two Keyboard Fugues by J. S. Bach. [BWV 944]	MTheorySpec	41	1	Spring 2019	48-73
	22.	Berry, Wallace	Metric and rhythmic articulation in music. [BWV 846/1]	MTheorySpec	7		Spring 1985	7-33